Kitchen:
The first thing that struck me about the kitchen was the gorgeous wall color. Johnny Breedt said they used a Dulux color, influenced by a Martha Stewart color. My best guess would be colors from Martha's Araucana Collection, my favorite being Araucana Blue. Here is a sampling of Martha's colors:
Luckily, Monica Potter, "Emma," is so lovely I don't mind her popping up so much in the shots. I chose the shot below to show the decorative plates she has in display in the dish rack. It is a shame to buy such pretty plates and hide them away in a cabinet. It is a great idea to leave them out.
The couple preparing dinner on a small island (table!). This would be positioned in front of the stove.
And the stove! This is the fullest shot I could get of the stove. This scene is after the lights go out, so it is a bit dark. But I wanted to show just how wide the stove was. Johnny called it a thing of beauty, and I agree. I love vintage appliances!
A little brighter shot of the stove. We see some more of the great knick-knacks that truly give this house a lived-in feel. The under-cabinet lighting gives a nice glow.
You would think the wood counters received their patina from years of use, but we know this was courtesy of Johnny & team. Aren't they beautiful? I just read about a company called Perfect Plank that has very reasonable rates for similar counters. I am looking into them for my own kitchen.
Curtains in my house have to be breezy and sheer. I am not a fan of blocking out natural light or pretty views. I really liked these curtains in the kitchen. They look to be light and sheer, with green floral embroidery. I ordered these curtains, which appear to be very similar.
The tin canisters caught my eye the first time I watched the movie. I blogged about a similar (new) set months ago. Typhoon has a Vintage Collection in cream that would give a similar look. Check out Amazon.
A little more detail on the curtain and yet another spice rack.
The only shot to give us a glimpse of this corner in the kitchen. It is probably like the little stool in my kitchen corner that no one ever sits on!
Here we see "Emma" in the hallway that connect the ktichen to the dining room. I like the baby blue chalkboard over the wine rack.
This fuzzy shot is the only shot in the movie of the pendant light over the island. See the blurry silhouette to the right of the white lampshade? The cheapest, yet nice-looking, ones I have found are $30, in stock, at Lowe's.
Don't you love glass-front cabinets? And in this final shot, we get a glimpse into the dining room. See the floral curtains over his shoulder? The dining room only makes a short appearance in the movie, but I will be goign through it, as well as a few other rooms, next.
I hope you enjoyed this kitchen as much as I did. Stay tuned!
On a treasure hunt to pick up a washbasin for my potting shed, I spotted an ad on Craigslist for a moving sale. One of the items listed was a pair of Hollywood Regency style chairs from the old Muehlebach Hotel for $20 each. After picking up the basin and lunch, Steven and I swung over to Overland Park, Kansas to the sale.
Truman party at the Muehlebach Hotel
Postcard from 1916, right after opening
The lobby of the Hotel Muehlebach, with its thick Oriental rugs, writing desks, tall lamps, potted palms, lounge chairs and a roaring wood fire, is pictured on an old promotional post card, one of a set, put out by the hotel shortly after it opened in1916.
George E. Muehlebach, Jr., started working for the brewery after his graduation from Spalding's Business College. In 1905 after the death of his father he became president of the brewery.
As a teenager, George had played first base on the Muehlebach Brewing Company’s Pilseners baseball team, spawning a keen interest in the sport. He owned the Kansas City Blues, twice American Association champions, from 1917 to 1932. Muehlebach built a half-million dollar ballpark at 22nd and Brooklyn in 1923, the only park in its league free of billboards. Under various names, Muehlebach Stadium was Kansas City’s ballpark until the Truman Sports Complex was built.
Street-view, 1930. Aren't the cars a hoot?
The original 12-story building was constructed in 1915, designed by Holabird and Roche. The site used for the hotel was one formerly occupied by the old First Baptist church, a frame building built in 1880, the gift of Col. And Mrs. W. H. Harris. Land and church cost $30,000.Services were held there until 1908, when the congregation sold the church and site for $150,000, took their pipe-organ and moved temporarily to Thirteenth and Broadway. They later built a new stone church at Linwood avenue and Park street at a cost of $100,000.For five years the old Twelfth street church stood empty, used only for ballyhoo, annual shows, an occasional menagerie and whisky advertisements.
Side-View, 1928
The Muehlebachs started tearing down the old landmark in June, 1913, and financing their plans for a big hotel.The hotel was extended west to Wyandotte street in 1952 and four years later the 17-story Muehlebach Towers was added on Wyandotte. The hotel was remodeled in the 1970s and closed in the 1980s. Marriott bought hotel in 1996 as an annex to their downtown hotel. Two years and millions of dollars were spent restoring the hotel in accordance with historic preservation guidelines as the hotel is both a state and federal landmark.
After all that... NO! You don't get to see the chairs yet. That is in my next post. :)

Bungalow.tile.com
Look at the "bath rug" made of tile. Adorable!
A little more subtle design.

Cobalt blue for the daring!

If I had the time and money, I would have done this Ann Sacks tile instead of the hardwood floor in my master bath. Isn't it gorgeous and beachy?

Penny rounds on the wall? Not traditional, but I like a little weird. The Vermeulen's bathroom posted on Apartment Therapy.
And next in my Spurgeon series, perhaps my very favorite and most tragic of the homes. Honestly, I almost wept at seeing the last pictures of it...
The George E. Nicholson home featured a series of dormers along the roofline, some triangular and some gambrel. Metal cresting ran along the roofline. The chimneys were decorated with intricate brickwork. The porch wrapped around the entire home and had turned spindle posts topped with an arched bannister. The columns were round and topped with some type of decorative trimwork. The same trimwork was used on the top exterior windows as in the Francis Xavier Jardon Sunday Home. Dentils and brackets, identical to those used on the Tri-Delta house, seperated each story. 





Can you imagine how beautiful that shingle work must have been? No one does roofs like that anymore either. I love turrets... and the porte cochere (carriage porch) is gorgeous. I found a newspaper article from 1905 that mentions Jardon adding the porch for $1000. Obviously he was quite wealthy.
And here is it today. I love the blue the current owner chose! Notice the gingerbread is gone.
Beautiful shinglework on the rear turret. All the brickwork has been newly tuck-pointed.
The barn, also built by Spurgeon, then.
Here is the barn present day.
Without being too intrusive to the current owner, I don't think he'd mind if I shared a few interior pictures to show the great attention to detail that Spurgeon gave.

All the floors in the house are different inlay patterns. The staircase is simply amazing.
They still have the original door bell... and it works!
All the doorways in this room have a different shape. (Remember, these are plasterwalls , folks!)



